During the second semester of my freshman year in college I became ill. As a result two good things happened for me: first, I was "awarded" my own room free of charge, and, secondly, I was given an extension for some of my coursework. I welcomed this opportunity as it gave me an opportunity to work with a professor that would eventually become my mentor. The course was "Introduction to World Literature," and like most who consider becoming teachers as undergraduates, I was introduced to text and ideas I had to share with the world because of their power and significance to me. This was, of course, before the idyllic Dead Poets Society fantasy met the cold reality of large class sizes, standardized assessments, and "career readiness." But that summer was one that sealed my fate, though the eventual journey to "traditional" high school classroom teaching was a circuitous one, that gave me time to work with a teacher on some wonderful pieces that I might otherwise never engaged.
I drove out to my English professor's home during the first week of summer break, notebook in hand, to pick up the assignments necessary to make up what had been missed during my convalescence. He lived on a defunct farm with his wife, son, and numerous cats. The house smelled like the old colonial buildings peopled by American Colonial re-enactors: of freshly churned butter and simple baked goods along with a woody-chippy mix of fresh cut wood. It was beautiful. Aware of my interest in pursuing a career in education. the professor gave me a dog-eared introduction to poetry anthology from his bookshelf. I only realized the implications of the first poem we worked with together on what would become my career. Thirty years later, the theme of "Dolor" by Theodore Roethke still resonates.
"Dolor" by Theodore Roethke. |
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