After sitting on my bookshelf for almost six months, I finally dove into Hillbilly Elegy: A Memoir of a Family and Culture in Crisis by J. D. Vance. Much like another book I recently read, How Dare the Sun Rise: Memoirs of a War Child by Sandra Uwiringiyimana with Abigail Pesta, this novel is a by-the-numbers memoir. In both instances, it is the content that distinguishes each. Both Vance and Uwiringiyimana come from very different perspectives. Both novels concern their respective protagonists real struggle with adversities, and while How Dare is the story of an immigrant to the U.S., Hillbilly Elegy tells the author's story of growing up in Appalachia, an American local that often feels alien.
Despite being smack-dab in the center of the United States, J.D. Vance and his family struggle with achieving an American Dream recognizable to most.
As described by Vance, much of what is "normal" within the context of his community is very different than the America with which the general reader might be familiar outside of exploitive reality television. Alcoholism, abuse and poverty all contribute to the family's problems, and each issue seems ingrained in the way of life depicted. Ultimately, Vance uses his personal hardships, as well as those of his close-knit hillbilly family, as a vehicle for bringing to light the social problems of his hometown. The thing that the author points to as having eventually saved him are the values of his Hillbilly community as embodied by his cantankerous, angry and loving grandmother, referred to throughout by the sobriquet Mamaw.
In many ways there are two books under a single cover: one is the story of Vance's relationship with this key figure in his personal development and the other a social commentary. For my money, the latter which is far more compelling. If much of the text is somewhat detached in its voice despite employing very conversational language, when illustrating his relationship with Mamaw that Hillbilly Elegy comes to life. Mamaw is a beautifully developed "character." Presented as an imperfect maternal figure that continues to push Vance toward some semblance of success, it is clear that both Mamaw and Vance sense that the price for any upward mobility would be their relationship.
Widely available on the shelves of your local public library, I recommend Hillbilly Elegy as an interesting summer read. Vance's story is compelling, especially as part of wider consideration of the kaleidoscopic American experience.
Showing posts with label social commentary. Show all posts
Showing posts with label social commentary. Show all posts
Tuesday, June 27, 2017
Saturday, July 09, 2016
Summer Reading: The Beautiful Struggle
| From front matter of The Beautiful Struggle by Ta-Nehisi Coates. Note D&D-esque sword and serpent! |
I started with Coates' memoir as it was the one with which I had the least familiarity, and while I could make some assumptions as to the subject matter given the title, beyond its autobiographical bent it was a mystery. Interestingly enough, the memoir's (presumably) original subtitle to The Beautiful Struggle which might have suggested an even more specific purpose is nowhere to be found on this edition of the book (I only came across it online): A Father, Two Sons, and an Unlikely Road to Manhood. I enjoy reading non-fiction about familial relationships between parents and children, naturally more so sons and fathers, and I was quickly drawn into Coates narrative. Beyond its incredibly accessible and sincere language, I was struck by two things which made the reading experience unique: how much Coates and I had in common relative to interests, and how little we have in common given our backgrounds.
The first observation is one that many men who were boys during the period between 1975-1985 can likely relate to: an interest in comic books, Dungeons and Dragons, and other pop-culture of the time. From the onset, Coates' story is infused with nods to his appreciation of childhood fantasy, for example when he admits, despite the conflict around him of being "spaced out as usual, lost in the caves of chaos and the magic of Optimus Prime's vanishing trailer." (4) Like all children who are given the privilege if engaging in such role-play or fantasy building, Coates and I both used these passions (and still do) to ameliorate the anxiety that comes with adolescence. While the memoir focuses on the author's relationship with his father, it is the inclusion of these seemingly ancillary interests as a means of dealing with which I connected. But, the deeper insight is equally engaging.
Coates grew up in Old Baltimore the son of a former Black Panther who felt it was among his purposes to infuse in his children, in particular his sons, with an understanding of Knowledge and Consciousness. We learn that Coates father's vehicle for educating his children was a steady diet of revolutionary practices, from a practice of not celebrating traditionally American holidays such as Christmas to the implementation of a diet that was both healthy and occasionally unique in what it excluded (for a period of time white rice) or included (tofu). Coates recognizes the dual nature of these choices on his own growth: while these made him stronger in the long run, they also made his experience unique from those in his community resulting in a sense of isolation and loneliness. His father's methodology is ultimately validated as it becomes clear that his father was playing the "long game," as both the author and the second son of the book's subtitle both experience what can only be deemed "success" by the final page of the memoir.
A few thoughts came to my teacher-brain as I concluded The Beautiful Struggle by Ta-Nehisi Coates. Despite growing up in a metropolitan area, I did not grow up in the culture that Coates, and a number of my students, have. I am white and he is black and this difference, and what it means socially, is key to what Coates' father seeks to impart and empower his children with. As a white teacher is a district with a growing minority component, I struggle with what impact, beyond empathy, I can hope to have on the students of color I teach. If it takes a strong, black man to imbue these understandings with black youth, there is only so far I can take them. Even beyond the advice dispensed by his father, there were others who assisted Coates, such as his high school guidance counselor who "was a black man, Conscious like my father." (199)
Secondly, it is unfortunate that books that tell this perspective (or those of the black historians and authors reprinted by Coates' father in an effort to raise his community's levels of Knowledge and Conscious) on the black experience are not shared more in public schools. Speaking from only my own experience as a student and teacher, the majority of approved reading selections are fairly limited, consisting of very common classics such as Richard Wright's The Invisible Man (while on approved list is not widely shared with majority of students), the poetry of the Harlem Renaissance and Lorraine Hansberry's A Raisin In the Sun. All great literature, but none that necessarily speak from a modern place of empowerment. (It is no secret why more potentially subversive selections are not included.) As I type this, Coates' books reminds me of the need for what I learned of in an old school Public Enemy line: "mental self-defense as a fitness." Among many issues is the necessity of having fearless educators, both black and white, willing to risk some very difficult conversations, a quality rarely seen at the appropriate levels of authority in suburban schools dealing with a variety of perceived challenges (and stakeholders).
The Beautiful Struggle by Ta-Nehisi Coates is a very engaging and provocative summer read, that like all good works, suggests more questions than it answers. More and more though, the questions are need of being both asked and responses to them carefully considered. I look forward to passing my dog-eared copy onto to interested colleagues, and recommending it to students as a potential independent read.
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